It's
rather difficult for me to write this review. On the one hand, I
really liked this book and definitely want to see more stories set in
what Deischer calls “The Auric Universe.” On the other hand,
were I not predisposed to like the idea of telling stories of a
“Golden Age” universe of comic book super-heroes in the form of a
neopulp prose novel, I would have to dwell on some significant
problems of style, editing, and packaging that detract from the
overall product. Ultimately, however, he does tell a lively story
that leaves me wanting more –and leaves me with a new
interest in yet another hitherto largely unknown, to me at least, stable of amazing characters who sprang up literally by the hundreds in the wake of the
sensation caused by the unexpected success of Superman
in 1938. (A nice touch is that it's a Superman comic book that inspires Deischer's first super-powered hero to take a costumed identity.) It's back off to the Digital Comic Museum's vast storehouse of Golden Age scans for me, and
another spate of downloads! So I'm generally going to focus on the
positives.
“Auric”
is Deischer's name for his World War II-era world of super-heroes and
-villains which caroms somewhat obliquely off of the characters
originally published during that Golden Age of comics by what he
generally refers to as “SBN,” a publisher that went through a
succession of imprints and names. At times, they were “Standard”
comics; at others, they were “Better.” Ultimately, late in the
game, they went by the surname of the publisher, Ned Pines, as
“Pines.” His wife's name was Dora, and for a long time comics
were published under an imprint combining their names as “Nedor.”
Add to that the pulp magazine imprint “Thrilling,” and the fact
that some characters and titles bounced from one imprint to another
and even were published in both genres, sometimes under the same name, sometimes not, and you've got one big
confusing mess. The convoluted history is, I think, one reason that
these characters have mostly passed into obscurity, with even their
legal status somewhat mysterious. It is commonly accepted that they
are now in the public domain, and as is sometimes pointed out (such
as on certain character pages on the Public Domain Super Heroes wiki),
even if someone today actually holds a firm copyright on one or the
other, it doubtless does not include all, and the status is so murky
that it's very unlikely that anyone will press their ownership.
Frankly, most of these characters are so obscure that the effort
would not be seen as being worth it.
Not
that the characters do not have intrinsic interest, nor that they
haven't cropped up here, there, and yonder over the years. Probably
the most recognizable instances would be in Alan Moore's America's
Best Comics (itself based on the name of one of SBN's more prominent
titles) series Tom Strong
and Terra Obscura, as
well as Dynamite Comics' Project Superpowers
and the currently running Masks.
There are also at least two recent low-budget or fan-made videos,
Legacy of the Masque
and Avenging Force: The Scarab.
In his afterword, Deischer cites the aforementioned recent comic series, except
for Masks which is of
course too recent, as
giving him his first real exposure to most of the characters,
although he'd at least been aware of some of them for decades – mainly the
Black Terror and the Fighting Yank – from bare references in such
places as the Overstreet Comic Book Price Guide.
After writing several neopulp novels and reference books, he
returned to a long-dormant desire he'd had to write a more super-hero
oriented story set back during the genre's formative years, and
settled on the idea of reviving these specific characters.
But
it is not a straight-up adaptation of the SBN characters. He admits
that when he began, he knew very little detail about them, having
read little if any of their original stories. In a podcast interview
on Pulped (6
Nov 2012), Deischer reveals that he was substantially through the
process of writing the book before he discovered a huge treasure
trove of the SBN comics scanned and available on the Internet in what
can only be – although he does not specify – the Digital Comic Museum, and has not nearly had time to read more than a
fraction of them. Mainly he seems to have depended on encyclopedic
sources such as Wikipedia, which has varying but generally sparse
information, as well as his own imagination attempting to come up
with rational, logical, and somewhat believable backgrounds that fit
into his larger story. I would liken the result to what I found for
Art Sippo's version of the German pulp hero Sun Koh, which I read and reviewed about a year ago – the reader is exposed to a version
of the characters, but it is not really the characters as they
existed in their original appearances. It is nonetheless a good
approximation.
The
plot overall has a number of Deischer's SBN-derived super-heroes,
usually very early in their careers, independently uncovering the
pieces of a growing puzzle that ultimately points toward a
diabolical German-Japanese plot to unleash a weapon of mass
destruction that will so devastate New York City and the US
infra-structure so grievously that America will not have the will to
continue the war. In order to include as many of the heroes as
possible, Deischer writes each of the twenty chapters (plus a
prologue and an epilogue) as if it were a separate issue of a comic
book miniseries, most introducing and focusing on a different
character and telling just one of the escalating series of incidents
– some happening concurrently – that ultimately converges to a final confrontation with the enemy agents that ends in such a way, the immediate crisis averted, that points toward a continuation of the story. A few of the characters
appear in more than a single chapter; most do not. Therein the main
problem that I feel ultimately detracts from the story – it's a bit
overwhelming. The book is too crowded with too many unfamiliar
heroes, and they and the events they deal with very quickly start
blurring together, especially given the considerable overlap and
concurrence of the multifarious narrative threads. It would be far
worse, perhaps indecipherable, were not a fair amount of ancillary material provided in the
form of endnotes where Deischer discusses his creation of each
character as it appears and how much it does (or does not) derive
from the SBN prototype, as well as the historical background off
which his story plays; an encyclopedic glossary giving basic
information and history for each of the characters as they appear in his
story; and a fairly detailed chronology that helps immensely in
clarifying the sequence of events. I found myself consulting all
three fairly heavily, which helped a lot while simultaneously
interrupting the flow of the story and making it a somewhat bumpy
ride. I would frankly have preferred that he scale back this story a
bit, adding a bit more depth to the narrative and focusing on a
smaller set of characters. And while cost I am sure precluded it,
the glossary could have been improved immensely by including a
picture of each of the characters, or at least a picture of their SBN
prototype. The historian in me would also have liked to see
consistent reference back to the original comics' title and issue
where the characters first appeared. (See below for links to some of
that information.)
As
far as editing goes, it's too easy to beat up on small presses such
as White Rocket, who do not have the resources for a full-scale publishing apparatus, but the number of typographical errors did get
annoying, as well as a major editorial failure to smooth over some of
the more blatant signs that the individual chapters were written as
pretty much separate short stories. I get the feeling that Deischer
himself wasn't quite sure exactly how the various pieces were
ultimately going to fit together, which means that there is
occasional redundant repetition of descriptions as if he wasn't sure
which instance would ultimately be read first as the the reader's
introduction to that particular character. The most glaring example
because of proximity in the book was between the end of chapter 13
and the beginning of chapter 16 which had basically the same
information dumped on the reader virtually verbatim only 25 pages
apart.
Nonetheless,
as I indicated above and despite my ultimately dwelling a little overlong on the shortcomings, I did enjoy this book a great deal, if only because I am
predisposed toward this type of exercise. And I am anxious to read
more of Deischer's stories set in the Golden Age. According to the
aforementioned podcast interview, Deischer plans at least two more
volumes, one focusing on the prose pulp characters published under
the Pines umbrella, the other is entitled Mystico, and centers
on the more mystical characters. I eagerly await them.
Cheers!,
and Thanks for reading!
*
* *
Links to
more information on the SBN prototype characters for Jeff Deischer's
The Golden Age, including
pictures and original
comic book appearances. All
links are to the Public Domain Super Heroes wiki's
category page for Nedor Characters. Sometimes
Deischer's changes to the characters were substantial; I only note
the most radical.
The
American Eagle –
http://pdsh.wikia.com/wiki/American_Eagle_(Nedor).
The
Black Bat – http://pdsh.wikia.com/wiki/Black_Bat_(2)
… seems very much like a cross between Batman and The Spider.
The
Black Terror – http://pdsh.wikia.com/wiki/Black_Terror.
The
Crusader < The American Crusader –
http://pdsh.wikia.com/wiki/American_Crusader.
Doc
Marvel < Doc Strange –
http://pdsh.wikia.com/wiki/Doc_Strange
... he's also very much a Doc Savage type.
The
Fighting Yank – http://pdsh.wikia.com/wiki/Fighting_Yank.
The Four
Comrades – http://pdsh.wikia.com/wiki/Four_Comrades – Deischer has this as the name of Doc Marvel's
allies, much like Doc Savage's “Fabulous Five” aides … but he
gives them totally different names than the SBN “Four Comrades.”
Haldor
the Wondrous < Mystico (with the name “Haldor” taken from
a one-off character in Thrilling Comics
#26) – http://pdsh.wikia.com/wiki/Mystico.
Kara,
Jungle Princess –
http://pdsh.wikia.com/wiki/Kara,_The_Jungle_Princess.
The
Liberator < The Grim
Reaper – http://pdsh.wikia.com/wiki/Grim_Reaper
– This is one of Deischer's triad of heroes (Liberator, [Grim]
Reaper, and Sphinx) whom he basically rotated through names and
situations. His endnotes to chs. 2, 7, and 13 explain his reasons
better than I can.
The
Lone Eagle II –
http://pdsh.wikia.com/wiki/Lone_Eagle
– Deischer's “Bestiary” makes him a legacy hero, son of a Lone
Eagle who flew during World War I.
Magnetor
–
http://pdsh.wikia.com/wiki/Magnet.
Major
Mars – SBN's Major Mars (http://pdsh.wikia.com/wiki/Major_Mars)
has nothing to do with Deischer's – It's best just to see his
endnotes to the Epilogue.
Major
Wonder < Wonderman –
http://pdsh.wikia.com/wiki/Wonderman_(Brad_Spencer)
The Mask
– http://pdsh.wikia.com/wiki/Mask_(1)
… but see also the Black Bat's link above. The Mask was
essentially SBN's comic book version of their pulp hero, the
Black Bat, necessitated by an agreement struck between Ned Pines and Whitney Ellsworth of National Comics when comics' Batman debuted in Detective Comics #27 and the pulp Black Bat led off Black Book Detective #1 within weeks of one another, that each would stick to their respective media. See http://en.wikipedia.org/wiki/The_Black_Bat#The_Black_Bat_and_Batman .
Mechano
< Mekano – http://pdsh.wikia.com/wiki/Mask_(1)
– SBN's robotic character is recast by Deischer basically as the
original grey Iron Man.
Miss
Masque – http://pdsh.wikia.com/wiki/Miss_Masque.
Pyroman
– http://pdsh.wikia.com/wiki/Pyroman.
The
Reaper < The Sphinx –
http://pdsh.wikia.com/wiki/Sphinx_(Nedor)
– This is another of Deischer's
triad of heroes (Liberator, [Grim] Reaper, and Sphinx) whom he
basically rotated through names and situations. His endnotes to chs.
2, 7, and 13 explain his reasons better than I can.
The
Scarab –
http://pdsh.wikia.com/wiki/Scarab.
The
Sphinx < The Liberator
– http://pdsh.wikia.com/wiki/Liberator
– This is the third of Deischer's triad of heroes (Liberator,
[Grim] Reaper, and Sphinx) whom he basically rotated through names
and situations. His endnotes to chs. 2, 7, and 13 explain his
reasons better than I can.
Theseus,
Son of the Gods <
Thesson, Son of the Gods –
http://pdsh.wikia.com/wiki/Thesson,_Son_of_the_Gods.
The
Woman in Red –
http://pdsh.wikia.com/wiki/Woman_in_Red.
*
* *
AlterEgo #111 (July 2012)
also contains a lengthy and somewhat expanded reprinting of one of
the few sources on the SBN super-hero comics, Michelle "Mike" Nolan's 1968
Nedor Comic Index.
Included are the index proper, containing lists of the Nedor
features, title by title; the Nedor heroes and their stories; and the
Nedor comics listed out issue by issue with their contents; along
with many full-color pictures of covers and interior art.
For anyone interested, here's a chronology of Nedor Publications: http://home.insightbb.com/~GoldenYears/NedorChronology.html , part of a site I just discovered apparently devoted to Golden Age comics in general, but mainly outside the main companies (National which became DC Comics, and Timely the precursor to Marvel): http://home.insightbb.com/~GoldenYears/History.html .
For anyone interested, here's a chronology of Nedor Publications: http://home.insightbb.com/~GoldenYears/NedorChronology.html , part of a site I just discovered apparently devoted to Golden Age comics in general, but mainly outside the main companies (National which became DC Comics, and Timely the precursor to Marvel): http://home.insightbb.com/~GoldenYears/History.html .
No comments:
Post a Comment