By
Geoff Johns and Gary Frank. Reprinted from Justice League
#7-11, 0, 14-16, 18-21 (2012-2013)
Well, nobody's more surprised than me
that I ended up buying this collection, and in hardcover to boot!
From the very beginning of the New 52 version of The Hero Formerly
Known As Captain Marvel, I found so many things to dislike
about Geoff Johns' portrayal, mainly centering on the surly
characterization he imparted to Billy Batson, which seemed very much
a stereotypical obnoxious brat just like his similar and nearly
simultaneous portrayal of young Bruce Wayne in Batman: Earth One.
That wasn't the only aspect of the “updating” of the
story that I didn't care for, to be sure. The new Dr. Sivana, bulked
up and looking more like a cheap Lex Luthor knock-off, also rubbed me
the wrong way. And the mess just seemed to get worse and worse as
month after month of the back-up series appeared in the pages of
Justice League, what with Billy and Freddy first attempting to
capitalize on Billy's new powers to make money, then considering
Billy's new adult appearance as a way for them to get alcohol. For
someone like me, who loves the simple, almost childlike wonder and
charm of the original Captain Marvel, which has, however
imperfectly, informed most of DC's portrayals of the character
hitherto (Dark Mary Marvel and subsequent developments being
lamentable departures from that model, essentially exceptions that
prove the rule), it seemed like these newest horrors were just going
from bad to worse. It was heartbreaking.
And then...
And then...
... I was astonished when everything
Johns developed over well more than a year suddenly came together in
a full-issue conclusion to the story (Justice League #21) that
inexplicably transformed the main thing I'd disliked leading
up to it into an integral element of an amazing exercise in character
development. Sure, in that regard, the New 52 Shazam!
exemplifies my oft-made point that Geoff Johns no longer seems able
to write satisfying single-issue (or in this case, mostly shorter
backup) stories, and yet I must admit that very often the ultimate
pay-off when all those individually unsatisfying parts end up coming together as a
whole is amazing. I immediately wanted to go back and reread
the entire tale from the beginning, straight through, informed with
knowledge of where the story was going. Lack of time and the hassle
of having to dig out the individual issues which had appeared over
the course of many months kept me from doing so, however. Then, a
few weeks ago, I came upon the hardcover collection in Barnes and
Noble, thumbed through it, and realized that I very much wanted to
have and read the story all in one virtually seamless volume. So I
picked it up (already wondering how to begin the inevitable blog post
which has me eating a bit of crow).
And, as I expected, I thoroughly enjoyed
the rereading. Sure, there are elements of the reimagining that I am
not all that enthusiastic about, generally the overall darker tone
that is, unfortunately, part and parcel of the New 52, but within the
constraints that imposes, Johns and artist Gary Frank produce a story
I will no doubt reread multiple times. Main character Billy Batson,
who starts out seeming a one-dimensional caricature embodying the
worst traits of teenagers today, is revealed instead to embody depths
of goodness that he himself would not willingly admit and indeed had
built up walls of emotional defense against resulting from the
unfortunate circumstances of his young orphaned life.
Those walls were broken down by a new
realization that he has found a new family. I'm certain that it will
ultimately turn out that Mary is indeed Billy's sister. Clearly the
diverse other kids who are being fostered by in the Vasquez home are
not even inadvertently Billy's family in the same way, but the
message of this story is that the idea of family is as
powerful as any shared DNA. Spoiling a turning point in the story, I
had hoped that (given the possibilities of this reimagining – if
you're departing from the original model, why not go all the way?) by
the end of the story all six of the kids would be integrated into a
new “Captain Thunder” like in the Flashpoint universe (and
I do prefer that name for the character, especially given it was
indeed the original name for “Captain Marvel” in the unpublished
“ashcan” versions of issue #1 of what would become Whiz
Comics) … but I like what developed even better. I'm not sure
how juggling six kids with subtly different expressions of the Shazam
Magic will play out – or was this a one-time, or (more likely, I
hope) only very seldom, sharing of Billy's powers with his brothers
and sisters. That's what it seemed when he tried sharing power with
Tawny the Tiger (whom he had for much longer, based on his only
photograph of his mother and father which was taken at a zoo, come to
think of as “the closest thing to family I've got”) and
the Magic went awry, ultimately collapsing, at least from the other
kids. Clearly Billy is the new Champion of the Magic, but remember
that in the original, so it was as well. Well, I think Mary getting
powers was because the Wizard had inadvertently given powers to one
of a pair of twins, but they – or he – shared powers with Freddy,
and they kept them. In any case, a new, multiculturally mixed
“Marvel Family” could make for some interesting stories in
future, regardless.
I still lament the ways this story shares
in the overall homogenization of the new DC into a cheap imitation of
what I consider to be the least attractive traits of Marvel Comics –
the overall darker tone, the continual angst. One example of that
which I identified above, however, I think may be evolving its
own way, perhaps ultimately back toward the classic model, much as
Billy seems a much more likeable kid by the end – yes, Dr. Sivana
is a very different character here, but the big, buff, bald scientist
(what I called above a “cheap Lex Luthor knock-off”) seems in the
end to be considerably more gaunt, even shriveled by his embodiment
of some kind of black magic, and could (I hope) end up at least
visually much more like the original Thaddeus Bodog Sivana. And by
the last page of the story we witness him link up with one of the
more ridiculously charming rogues who ever confronted the original
Captain Marvel.
2013 Commission by Thom Zahler |
I find that once again, I have
concentrated on the writer to the virtual exclusion of any mention of
the artist, Gary Frank. Commenting on art I find even harder than on
writing. Part of it is that, kind of like the writing, I like it or
I don't, without necessarily being able to subject it to any deep
analysis of exactly why. Generally speaking, I like more realistic
art without a superfluity of lines or “scratchi-”/ “sketchiness,”
but a simple cartoony (“animation-”) style works for me as well
in certain contexts. I have no understanding of how the
collaboration between artist and writer works toward the
story-telling aspects of what we end up seeing as the finished comics
story, and therefore cannot meaningfully comment on that. I
recognize that artistic style can go a long way toward establishing a
certain mood for a story, and whether the mix ends up being to my
liking or not. A "simple cartoony ('animation-') style" works really well with a more traditional Shazam or Marvel Family (and I share with Thom Zahler [link] a wish that he could be given a shot at the characters); it would not work with this story, however. In any case, the long and short of it is that I
generally like Gary Frank's art very much – it's what I mean by
being more “realistic … without a superfluity of lines or
'scratchi-'/'sketchiness'” – and I consider this to be some of
his best work ever. The one thing that has always bugged me
about Frank's art is that characters' eyes are sometimes “wonky”;
that doesn't seem to be the case here, or at least as noticeable.
Overall, Frank's art perfectly complements the story Johns tells, and
in this age of frequent substitute artists, one really pleasant
aspect of this volume is the unity of vision from beginning to end. That is refreshing!
Like the most recent Wonder Woman volume [link], I actually read this collection a few weeks ago and have only just in the past few days had the luxury of sitting down and drafting a post. But even as as I was doing so, I realized that publishing a review of Shazam! right now is indeed timely, given the setting of the story in the days leading up a climax taking place on Christmas Eve before Billy experiences his first Christmas morning with his new family. This most magical time of the year, with its subtext of faith and family in the tale of a young man gaining a realization of both while becoming the new New DCU's Champion of the Magic, is a storytelling coup-de-grace on the part of Geoff Johns. I know I blow hot and cold on his writing, but I must admit that when he hits it – and sometimes it takes me stepping back to realize that he has indeed hit it – he sends it out of the ball park!
Like the most recent Wonder Woman volume [link], I actually read this collection a few weeks ago and have only just in the past few days had the luxury of sitting down and drafting a post. But even as as I was doing so, I realized that publishing a review of Shazam! right now is indeed timely, given the setting of the story in the days leading up a climax taking place on Christmas Eve before Billy experiences his first Christmas morning with his new family. This most magical time of the year, with its subtext of faith and family in the tale of a young man gaining a realization of both while becoming the new New DCU's Champion of the Magic, is a storytelling coup-de-grace on the part of Geoff Johns. I know I blow hot and cold on his writing, but I must admit that when he hits it – and sometimes it takes me stepping back to realize that he has indeed hit it – he sends it out of the ball park!
Ultimately, this re-imagining shows great promise, and I'm surprised DC hasn't already announced an ongoing
series. I'm inclined to the point of virtual metaphysical certitude to be there when it comes. ... I guess I will,
however, just have to reconcile myself to DC's horrid new practice of
calling The Hero Formerly Known As Captain Marvel … Shazam.
Cheers! – Merry Christmas! – and Thanks for reading!
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