Showing posts with label The Shadow. Show all posts
Showing posts with label The Shadow. Show all posts

Friday, June 14

Dynamite Comics – July 2013

Reviews, commentary, general reactions, and random notes on the Dynamite Entertainment comics that were released during May (mostly) that I received near the beginning of June. Caution: Spoilers ahead! [Link to previous month.]

Cover D (25%) by Francisco Francavilla
Masks #7 of 8

I'm not sure what was different this time, but I found this penultimate issue a bit chaotic and hard to follow. The art seemed rushed – sometimes facial expressions seemed downright goofy (see in particular the last page) – and the action sequences degenerated into almost random images with no narrative value. For instance, how did Britt get loose? – and What's with Kato rubbing his nose in the midst of the action? Surely that latter had significance as a signal of some sort, but what exactly it was I couldn't tell. The story logic breaks down as well: Could the Spider possibly have liberated a prison camp upstate and crossed the countryside toward New York City, gathering more and more followers along the way, without the Master somehow getting word?

These are criticisms from someone who knows and loves the source material and hitherto has been willing to “fill in the blanks” from what I know of the original Spider “Black Police” trilogy, but most readers of this series do not have that advantage. And it's a dubious advantage in the end, because for me there comes to mind the biggest deviation from the original, implemented certainly in an effort to bring some kind of modern sensibility and “rationality” to what motivates the Master – who is now finally discovered in-story to be indeed the former crime-fighter known as the Clock – who ends up being another “noble” but insane villain, considering his ends to justify his means. In the original, part of a series which drew things in terms of stark black and white, good vs. evil, the whole Black Police movement was purely a criminal enterprise. Admittedly, when I assessed that original pulp trilogy a couple of years ago (link), I argued that a fascistic state such as that could not be set up without positing some higher value than pure avarice, no matter how warped in our minds that “higher value” might be, but I can't say I buy the simple imposition of order on disorder as proposed by the Clock as any more convincing.

Tuesday, May 14

Dynamite Comics – June 2013

Reviews, commentary, general reactions, and random notes on the Dynamite Entertainment comics that were released during April (mostly) that I received near the beginning of May. Caution: Spoilers ahead! [Link to previous month.]

Cover D by Sean Chen
Masks #6 of 8

Frankly, not a whole lot happens here except that the Master gloats over his plan. I still think he's the former District Attorney who was once the masked crime fighter known as the Clock, and that ultimately there will be a confrontation between him and the more recent D.A. Tony Quinn, the Black Bat.

I have two friends also buying this series. Unfortunately, I'm pretty much the only one enjoying it, I think. And the truth is that there's not much here. Were I not such a fan of the original source material and characters – even some that this series pretty much introduced me to, such as Miss Fury and the Black Bat, I can easily see myself agreeing with them.


Thursday, March 21

Dynamite Comics – April 2013

Reviews, commentary, general reactions, and random notes on the Dynamite Entertainment comics that were released during February (mostly) that I received near the beginning of March. Caution: Spoilers ahead! [Link to previous month.]

Masks #4 of 8

Cover B (25%) by Jae Lee

Well, this marks the halfway point, and the story skips right along. There are no new heroes introduced, but Rafael Vega ducks into a costume and prop shop to evade the Black Police, then kills his pursuers with a sword and seems to be outfitting himself as Zorro. Also, the Spider in Albany discovers that the governor is the lackey of a Man in the Mirror called the Master. Green Hornet, Kato, and the Black Terror terrorize the mayor of New York into revealing the existence of the Master as well, for which the Master remotely kills him. Green Lama and Miss Fury fight the Black Police, then are picked up by the Shadow and Margo Lane. And D.A. Quinn discovers that he can see in the dark when he's attacked by the Black Police, giving him the advantage.

My wording above was deliberate, “the story skips … along.” Again, there's considerable sketchiness to the narrative. Not the art, which is just fine. Perhaps only because I have the “proper” mindset and background for this, I'm loving it. I wondered what those without the background would make of it, and my fears were more or less confirmed by talking with a colleague who is also getting it. He's kind of regretting picking it up. He's largely not familiar with the characters (except the obvious ones), and he hasn't read The Spider versus the Empire State.


Tuesday, February 12

Dynamite Comics – Mar 2013

Reviews, commentary, general reactions, and random notes on the Dynamite Entertainment comics that were released during January (mostly) that I received near the beginning of February. Caution: Spoilers ahead! [Link to previous month.]

Cover C (25%) by Ardian Syaf
Masks #3 of 8

(See this post for something that I just realized about this series, but discussed there and will do no more than make a referral here....)

Hearing more Justice Party propaganda spewing forth from the radio, the main heroes still at Wentworth's home make plans and head out on separate missions. Richard Wentworth and Ram Singh head for Albany to investigate the governor's office. Britt Reid and Kato go to consult with a newspaperman friend of Britt's. “Spooky,” Wentworth's (?) name for the Shadow, heads out to “serv[e] justice.” Elsewhere, in hiding, Anthony Quinn discovers that he's blind. He and Rafael Vega recall previous vigilantes – the Clock and Zorro. Quinn utters the fateful words, “Blind as a bat...” Miss Fury and Green Lama fall into a trap laid by the Black Police, are taken, and discover that the many captives of the new regime are being railroaded out of the City. While Reid is fruitlessly trying to get some information out of his friend, Kato ends up in a fight, where he is joined by the Black Terror. Margo Lane and the Shadow interrogate a fat cat supporter of the Justice Party. And on the way to Albany, Wentworth and Ram Singh pass a concentration camp.

Cover A (25%) by Alex Ross
The pace is maybe picking up a bit. We're now three-eighths of the way through the series – it better. Of course, the trade-off is that the story is now a bit sketchy, but overall I think it strikes an acceptable balance. Do we really need full pages given over to recalling the Clock and Zorro each when there are only twenty pages of story in this issue? Nevertheless, I'm still liking this immensely, and can easily see myself double-dipping and getting the collection, which will hopefully come out as a hardcover.

I am a bit disappointed I didn't get Cover A (25%) by Alex Ross, however. It's thumbnailed on the inside back cover, but luckily Dynamite's collections contain full-page “virgin art” versions of all covers, so I'll get the art there … eventually.

The last few pages contain a several-page preview of a new, original to comics Dresden Files miniseries. As much as I love that series, and even though this is at least plotted by Jim Butcher himself, I'm holding off for the collection. It looks good, even if I was sceptical regarding a pistol firing underwater. Apparently it can, however.



Friday, January 18

Dynamite Comics – Feb 2013

Reviews, commentary, general reactions, and random notes on the Dynamite Entertainment comics that were released during December that I received near the beginning of January. Caution: Spoilers ahead! [Linkto previous month.]

Right into the comics....

Left to right, the Green Hornet,
the Black Bat, Kato, the Shadow,
the Green Lama, Miss Fury, Zorro,
and the Spider.
Masks #2 of 8

Well, I was worried that the change away from Alex Ross' painted art to Dennis Calero's more traditional art in this second, and I presume subsequent issues, would be quite jarring, but it's a decent transition, for the most part. I imagine it will be a bit more noticeable in the inevitable collected format. I'm not familiar enough with Calero to know if inking and coloring was adjusted here somewhat to make that transition smoother, but it works.

The story seemed a bit lighter this go'round. We have the introduction of male and female vigilantes MissFury and the Green Lama in the first couple of pages, then switch back to the main characters introduced last issue – the Shadow, the Green Hornet and Kato, and the Spider – retreating from an ineffective battle against the armored Black Police to Wentworth mansion. There they reveal their civilian identities to one another – all but the Shadow, who reveals only that, “I am the Shadow.” Heh. Meanwhile, Vega, the artist introduced last issue, ends up sent to the gallows – along with others – but escapes with the help of the District Attorney himself, Tony Quinn, who “didn't devote [his] life to the service of the law to see it perverted by thugs” but who ends up blinded in the process (the first step along the road toward his taking up the mantle of the Black Bat.) The main characters listen to the heavily propaganda-laden newscast and pontificate on the inevitable rise of new heroes to fight the ascent of evil. On the last page: Over a shot of Miss Fury and Green Lama – “We already have allies we don't even know, no doubt. Others who are fighting for what's right.” A glimpse of the Black Terror – “And there must be others in the shadows, waiting for their moment to strike a blow against injustice.” Vega and Quinn, the latter's eyes heavily bandaged: “And still others who will find a strength within them that they didn't even realize they possessed, and the courage to stand up. // I tell you, we might be the first, but we won't be the last.”

...Yeah. Not a whole lot really happened in this second issue of eight. We're a quarter of the way through the whole story and it's barely set up. It didn't even feel like a full twenty pages – it is, I counted, but it seemed really decompressed. Things are going to have to pick up.

I've really been looking forward to this series. Please don't disappoint!

We do get some nice rapport developing between the Shadow and Kato – but Kato's master the Green Hornet ends up coming off as a bit of a wimp here.


Wednesday, December 26

Dynamite Comics – Jan 2013

Reviews, commentary, general reactions, and random notes on the Dynamite Entertainment comics that were released during November that I received near the beginning of December. Caution: Spoilers ahead!

Well, it looks like even though I'm dropping Dynamite's Shadow title per se, I'm still going to be reading about him from Dynamite, at least for a while. In addition to the first comic I'm reviewing below, this month's pre-order solicitations has the first of an eight-issue Shadow: Year One series written by Matt Wagner. I really liked Wagner's pulpish take on DC's original gas-masked Sandman in the 1990s series Sandman Mystery Theatre, and hope for good things here even if I don't particularly care for the more supernatural take on the Shadow that appears in Dynamite comics. I will be getting it.

Cover A by Alex Ross (25%)
Masks #1 of 8

It's 1938. The “Justice Party” has just effected its takeover of New York City but is proving to be basically a criminal enterprise under the guise of fascist totalitarianism that only masked vigilantes can possibly oppose....

Ad for Norvell Page, The Spider vs.
the Empire State
If that sounds familiar, check out my reviews of the 1938 trilogy of pulp tales that appear here, here, and here as republished a while back under the title, The Spider vs. the Empire State. I was a bit disappointed, given the relative fame (or infamy) those original Spider stories, sometimes called the “Black Police Trilogy,” enjoy among pulp fans as well as their recognized historical importance as a contemporary “pop culture” view of the threat posed by fascism, that none of the advertising material I ever saw leading up to the release of this first issue made note of that source for this story, but I was gratified at least to see within its pages a full-page ad for The Spider vs. the Empire State from Age of Aces Publishing. Of course, in the original, the Spider must contend alone (well, aided by his normal allies Kirkpatrick, Nita, Ram Singh, et al.!) against an allegorical Nazi juggernaut in New York state. Here we will be treated to a veritable “Justice League of Pulp Heroes” that includes the Shadow, the Green Hornet and Kato, and others who have yet to appear. If that weren't enough to have me practically salivating ever since the pre-order solicitations appeared several months back, then the fact that the Alex Ross was slated to do the interior art as well as the main cover (shown) had me from the word “go.” And we were promised a decent writer, Chris Roberson, who in the past couple of years managed to pick up the pieces left by J. M. Straczynski halfway through the year-long “Grounded” arc in Superman immediately pre-Flashpoint and bring that mess to a satisfying conclusion, and turn in a fairly good crossover between Star Trek and the Legion of Super-Heroes for IDW.

Friday, November 16

Dynamite Comics – Dec 2012

Reviews, commentary, general reactions, and random notes on the Dynamite Entertainment comics that were released during October that I received at the beginning of November. Caution: Spoilers ahead.

Cover C (25%) by John Cassaday
The Shadow #6 [ link to previous issue ]
The Fire of Creation: Conclusion”

Everything that has happened is part of the Shadow's plan – of course. Lamont Cranston has been acting as an agent of US military intelligence to successfully get the vital weapons-grade mineral Uranium 235 out of China and into US hands. I misread the dumb-ass Finnegan as British – he's actually American, but just as dumb-ass. He's serving a purpose as well, however, providing cover and a diversion for Cranston. The plan, of course, meets with success, with plenty of Japanese blood being spilled along the way. The main Japanese villain Kondo gets away, but the epilogue shows him being caught unawares in Hiroshima on 6 August 1945.

I'm sure there are a lot of Shadow fans who are really enjoying this series, and it has been good enough. But it's not really for me. It's obviously based more on the radio version of the character, with plenty of tweaks even from that, I'm sure, but even though I've not read all that many of the pulp novels, those are my Shadow. I won't be continuing with this series from here on out.


Cover B (50%) by Paul Renaud
Lord of the Jungle #8 [ link to previous issue ]
Just Take It: The Concrete Jungle 2 of 2”

The villainous Canler, having been humiliated by Tarzan, kidnaps Jane and her father to lure him into a trap. The confrontation goes about as you would imagine it would. In the end, the only reason Tarzan does not kill him is because he is trying to be “civilized,” for the sake of Jane, so he leaves him strung up for the police to find. He lives, I'm sure to return to Dynamite's adaptation/expansion of the original Burroughs novels at some time in the future. He's basically a blank slate as Burroughs never did anything with the character after his minor role in the first novel.

As for Jane and Tarzan, this is of course not enough to bring them back together – that would be too radical a departure from the books, and we're not to that point in the saga yet. Jane is, however, upset because her fiancé Cecil Clayton has been acting differently since they were in Wisconsin. In a flashback, we see why – he found and read the discarded telegram to Tarzan from d'Arnot, revealing that Tarzan is indeed his own cousin and the true Greystoke heir.

This was probably my least favorite of all the Dynamite issues thus far. I found the art noticeably lower in quality. The story is so-so, mainly redeemed by the intriguing fact that it is the longest (albeit non-canonical) look at Tarzan's first time away from the jungle, during the period between the end of the first book and the beginning of the second.


Cover A (50%) by Paul Renaud
Warlord of Mars: Dejah Thoris #17 [ link to previous issue ]
[“Vampire Men of Saturn, Part 1 of 3”]

We find that Dejah Thoris has been taken prisoner by the mysterious air ship she spied upon emerging from the cave in the frozen north of Barsoom – and has been transported all the way to Titan, the largest moon of Saturn, or rather Vano, the largest moon of Strio, as her captor calls it, or rather Xasoom as the Barsoomians call the ringed planet. She is in the hands of one of the Vathek, a race of vampires intent on conquering Mars. With the help of a fellow prisoner – one of the Palidors, a race kept by the Vathek as cattle, sources of blood – she escapes on a flying mount, but a lucky shot by their pursuers leaves her plunging toward the ground from a height that even her increased relative strength imparted by the relative size of Barsoom and Vano will not save her from.

Frankly, this story is doing little more for me than the “Boora Witch” story arc. I find the art strikingly bad, although the story on my second reading turns out not to be as bad as I found it at first. At least there is a pseudo-scientific reason for the Vatheks' vampirism rather than being supernatural.


Cover A (50%) by Paul Renaud
Warlord of Mars: Dejah Thoris #18
[“Vampire Men of Saturn, Part 2 of 3”]

Opening in mid-fall, we find that Dejah Thoris has not only super-strength because of the lighter gravity of Titan as compared to Mars, but she can all but fly like Superman! Actually, “That wasn't flying! It was falling with style!”
In any case, Dejah Thoris and her new pal Svero reach his people, and she enters into an alliance with them to carry out a plan that will rid not just Titan but also Saturn of the Vathek entirely. Wholesale genocide! You go, girl! Then victory becomes crucial when it transpires that the Vathek are even now carrying through with their invasion of Barsoom and have deployed a device that will destroy the Atmosphere Factory. Dejah Thoris attacks the control tower for the device – but is then betrayed by Svero himself!

Ditto comment from issue #17.


Cheers!, and Thanks for reading!

Friday, October 12

Dynamite Comics – Nov 2012

Reviews, commentary, general reactions, and random notes on the Dynamite Entertainment comics that were released during September that I received at the beginning of October. Caution: Spoilers ahead.

Art by John Cassaday
The Shadow #5
The Fire of Creation, Part Five” [ link to previous issue ]

Well, I was wrong last month about which boat exploded! Lamont Cranston, Margo Lane, and the useless Limey are left hoofing it. Nevertheless, they catch up with Kondo and Wong at a village where Wong is basically scamming the Japanese into thinking they're mining the weapons mineral. The Shadow does a lot more of the supernatural stuff to wipe out the bad guys, ultimately including Wong. Kondo discovers that he was deceived, but he swore to the Emperor that he would bring the mineral back. So he prepares to show his aide a lesson in Japanese honor. Along the way there are plenty of graphic depictions of the outlaws and Japanese and atrocities against the Chinese peasants.


Art by Alex Ross
The Shadow Annual #1
Children of the Dragon”

This is a standalone tale of great evil in the form of childlike innocent come from the Far East to US, which the Shadow must destroy. This Annual solidifies Dynamite's take on the character as a supernatural figure, an agent of fate, with mystical dreams and powers. Perhaps – I suspect that – this owes far more to the radio Shadow than to the pulp magazines' more human crime fighter. I'm not sure I'm going to stick with this title, at least in monthly issues.

By the way, isn't Margo Lane a blonde in the main series?


Art by Lucio Parrillo
Warlord of Mars #21
The Shadow of the Temple, Part 1 of 5” [ link to previous issue ]

Wow! This is a gorgeous cover by Lucio Parrillo. I could do without the fresh clawmarks on her thigh, but I can easily see that face as “The Most Beautiful Woman of Two Worlds.” I don't know about butterflies, but insects do exist on Barsoom, according to John Flint Roy's A Guide to Barsoom: “Barsoom harbors a wide range of insects – from dainty, beautiful creatures that move silently from flower to flower, to giants with a wingspread well over thirty feet” (Kindle edition at 53%, location 1298 of 2425). I'm not sure if the title given above is of just this issue, or properly part one of a multipart story by the above title. Effectively, it seems to be part one of Dynamite's adaptation of ERB's third novel in the Mars series, The Warlord of Mars. It actually tracks closely with the novel, which I would not really have expected. Rather, I was expecting to see an expansion of how John Carter got to the point where the narrative drops us right in to him eavesdropping on Matai Shang and Thurid.


Art by Fabiano Neves
Warlord of Mars: Dejah Thoris #15
[“The Exile of Dejah Thoris,” Part 1] [ link to previous issue ]

On the journey undertaken after her traumatic possession by the Boora Witch, which she herself seems undecided between being penitential or punitive in nature, Dejah Thoris is dozing on a boat on the River Iss when she hears a child's scream as it is taken by one of the giant, insectoid bumblebee-like siths in the Kaolian Forest. The route of the River Iss is quite mysterious, as is its relation to the Kaolian Forest – also difficult to place from the information given across the Mars series by ERB – as discussed by Woodrow Edgar Nichols, Jr. on the online ERBzine Vol. 3386. The princess of Helium takes flight, thanks to the flight pack she still possesses from the first story arc, and saves the child, who leads her through the Forest to the city of Kaol, where she ends up helping the Kaolians defeat a growing infestation of siths. After which she moves on. So this looks to be a multipart grand tour of Barsoom, which could be interesting.


Once again, as seems to be by and large the case for covers to Dynamite's comics, the image by Fabiano Neves has absolutely nothing to do with the story inside. Once again, it's basically a pin-up, this time with a bondage theme that would actually be appropriate for the story contained in the next issue....

Art by Fabiano Neves
Warlord of Mars: Dejah Thoris #16
[“The Exile of Dejah Thoris,” Part 2]

Three months into her self-imposed exile, Dejah Thoris has wandered from the equatorial region where Kaol is located up into the barren north. There, on the ice (and as scantily clad as ever, just like in the southern ices 'way back in “Pirate Queen” – oh, pardon me, she has a tiny little fur parka!), she is attacked by one of the gargantuan, savage, white-furred apts. A yellow man – an Okarian of remote Barsoomian legend, comes to her rescue … then promptly declares her his slave, imprisoning her in what looks for all the world like a frontier ranch cabin from the US Old West. She does manage to escape. The Okarian gives chase. They end up fighting each others and apts in the Carrion Caves which John Carter will himself pass through four centuries later in the novel The Warlord of Mars. Ultimately, however, she is more chivalrous than he in that she saves his life from a pride (?) of apts, winning her freedom as the Okarian grudgingly points out that he would not have done the same for her. Almost as soon as she emerges from the Carrion Caves, however, she is overshadowed by a vaguely bat-winged air ship, and we are left this month with a teaser title: “Next: The Vampire Men of Saturn” – !?


Cheers! … and Thanks for reading!

Saturday, September 8

Dynamite Comics – Oct 2012

Reviews, commentary, general reactions, and random notes on the Dynamite Entertainment comics that were released during August that I received at the beginning of September. Caution: Spoilers ahead.

The Shadow #4
The Fire of Creation, Part Four” [ previous issue ]

Aboard a junk in Shanghai harbor – or possibly somewhere else on the Yangtze River (I think) – , the Japanese criminal Kondo tells the Chinese crime warlord Wong and a Chinese general the story of one Kent Allard, basically the story of the origin of the Shadow without intimate knowledge of the details of what happened to transform a wastrel into a supernatural arch enemy of crime. Meanwhile, Lamont Cranston and Margo Lane are accompanying a military expedition searching for Kondo and Wong – and following the Shadow's wake of destruction. Margo as well as a implicitly “invert” (Cranston's term) British diplomat get a graphic introduction to the realities of the atrocities the Japanese are inflicting on the Chinese, leading Cranston to soliloquize to Margo on the evil that is growing in East and West. Their boat catches up with their prey only to see it blown up by a mine. I'm enjoying the pieces and parts of this story without being able to really see the overall picture yet.


Lord of the Jungle #7
7: The New Guy / The Concrete Jungle 1 of 2” [ previous issue ]

This is the first half of an apocryphal story occurring between Tarzan of the Apes and The Return of Tarzan, set in Baltimore where Tarzan is working manual labor to earn his way back to Africa. He has by now become a minor media celebrity. Inevitably he comes into conflict with the crime boss whom he's already humiliated, Canler – and again humiliates him in front of his men. Canler knows how he can strike back at Tarzan, though – through Jane Porter. Not a good idea, as I'm sure we'll find out along with him next time! Canler is also involved in some plot with an unnamed Russian who's obviously the villainous Rokoff of the next two novels. Tarzan's unacknowledged – to say the least – cousin Cecil continues to show himself an ass. Esmeralda continues to show herself more perceptive than the white aristocratic Porters and Greystokes put together. And Jane is obviously having second thoughts about the choice she made. A good filler tale.


Warlord of Mars #20
Worms of Mars, Part 2 of 2” [ previous issue ]

This completes the apocryphal bridging story between Gods of Mars and Warlord of Mars (ERB's novel). John Carter, Carthoris, and company, with the help of the deceased “goddess” Issus' granddaughter Linea find and destroy the anti-Atmosphere Plant, but Linea is fatally injured in a fight with its guardian “worms of Mars” – really sea-serpents called silians. In the end, she professes regret for her haughty treatment of Carthoris, who had so obviously fallen for her … despite her color. That's an interesting, perhaps metatextual twist – John Carter, the one-time Confederate officer, now married to an oviparous non-human (strictly speaking), sees great advantage in a prospective dynastic union of the royal houses of Helium and the Black Pirate First Born of Barsoom in reply to a rather glum (having just again been figuratively kicked in the balls by Linea) Carthoris' comment, “But she's … you know, she's … / black...”. Anyway, as she dies, Linea does also order the First Born, as the last command of the last descendant of Issus, to make peace with the red men. From John Carter's journal: “All First Born resistance ceased shortly after the deactivation of the Doomsday Factory. / My son never spoke of Linea again, but I do not think it was because he wished to forget her –no. / It was because remembering was too painful.”

50% alternate cover
(Somebody's getting poked!)
Last time I made a snarky remark about how annoying sideways covers are. Maybe equally annoying are the covers that have absolutely nothing to do with the contents. I guess I should count myself blessed that I didn't get the other 50% alternate cover, however.... (And it is just luck of the draw – one of my friends also gets this title from the same monthly on-line service, and he did.) … Anyway, I greatly prefer covers that have something to do with the specific contents of the issue, no matter how symbolic that correspondence might be.


Warlord of Mars: Dejah Thoris #14
[“The Boora Witch, Part 4”] [ previous issue ]

In Helium, the possessed Dejah Thoris seems to triumph over her father and grandfather, but at the moment she is about to execute them, Kantos Kan returns. He had discovered the truth in the Toonolian Marshes, bringing back the Boora Witch's body. “Dejah Thoris” tries to bluff him, but he calls her on it – and beheads the body. This destroys the witch and restores Dejah Thoris' soul to her own body. The Boora Witch was originally an Orovar woman who obtained forbidden knowledge to prolong her own life through possession of a series of bodies. In the end, although nominally forgiven, Dejah Thoris exiles herself from Helium. I'm not sure if the next issue will be considered a continuation of this arc or the beginning of a new arc – or a bridging story before a new arc takes up. In any case, this has been the end of a very disappointing, very un-ERB-like tale, and hopefully we can look forward to something better. ERB did not write Swords and Sorcery tales – at least in his Mars series.


Warriors of Mars #4
[“Gullivar Jones and John Carter of Mars, Part 2”] [ previous issue ]

Our heroes make their way to the Thither People city in the southern wastes of Barsoom, intent on rescuing the abducted Dejah Thoris. But meanwhile Zar-Hap casts the princess of Helium into a pit to coerce her into revealing the secret of Gullivar Jones' carpet. There Dejah Thoris longs to see her deceased mother – and the carpet brings Heru to her. When John Carter and Gullivar Jones attack, they are all united and escape with Dejah Thoris commanding the carpet, which now responds only to her. Gullivar Jones and Heru are reunited, but she cannot stay. With his lost Barsoomian love fading back into the dead, Gullivar Jones determines to see the future of Mars. Dejah Thoris commands the carpet to respond to him … and he reappears one thousand years later [caption] – on an ocean. Besides the fact that this is all utterly uncanonical, it's not a bad story this go'round. I've not been terribly impressed with the past couple of issues, but this one was fine. One random comment: John Carter on p. 3 looks so much like Russ Manning's image of Tarzan that I did a double-take.
Russ Manning's Tarzan
vs. Jack Jadson's John Carter
Review: http://jcomreader.blogspot.com/2012/08/comic-review-warriors-of-mars-4.html

Cheers! – and Thanks for reading!

Friday, July 13

Dynamite Comics – Aug 2012

Reviews, commentary, general reactions, and random notes on the Dynamite Entertainment comics that were released during June that I received at the beginning of July.

The Shadow #3
The Fires of Creation, Part Three” [ previous issue ]

This story seems to center around some mineral that can be used to power a death ray. The Shadow continues to play an important role in his Lamont Cranston identity, in which he continues to have philosophical conversations with Margo Lane, but to leave a wake of blood in his Shadow identity. I'm pretty sure he didn't have the power to interrogate a dead man in the old pulps; was that an ability in the radio show?


Lord of the Jungle #5
5: Lost Treasure” [ previous issue ]

Tarzan saves Lt. D'Arnot in a sequence that is quite a bit different from the book, partly because the cannibalistic antagonists are so different. William Clayton and the French sailors arrive on the scene shortly thereafter and massacre the tribe – in the book didn't they simply find the village abandoned? Jane – and Esmeralda – perceive that Tarzan is baby Greystoke, an idea that William will not entertain, and although they convince their rescuers to wait for a time, ultimately they must leave with the French. Tarzan was delayed in coming back to the treehouse cabin by his need to provide constant care for D'Arnot, who once he comes out of his delirium teaches his rescuer to speak French. They finally do make their way to the cabin. The incident where D'Arnot accidentally almost kills Tarzan is omitted, but D'Arnot does present him with the note from Jane, inspiring Tarzan to make his way to America. They head out through the jungle, making their way toward civilization. The scene of the bet with the thug by which they secure funds for their passage to Europe remains intact, although I was thinking it occurred in Libreville rather than “St. Eustache.”


Lord of the Jungle Annual #1

This is an apocryphal tale that takes place immediately after the events of the regular series, issue #8, which as you can see is some time away. Since I would be surprised if the adaptation of Tarzan of the Apes can be stretched out more than one more issue in the main series, I'm presuming issues #7 and 8 must be some other interlude-type story, because I interpret this story to lead directly into the events of The Return of Tarzan, which I also figure will begin as a Dynamite adaptation in issue #9.

Tarzan is back in Africa, where he is captured by a fight promoter and brought back to New York City. There he is forced to prize fight. Eventually he is helped to escape by the promoter's patroness – not out of any sense of humanity but because … “Well, violence gets me … It, ah, well, excites me. What you did to Starker was just what we call 'The Bee's Knees.' And that alligator – mmm!” Ah, the wonders of civilization! In any case, she books him passage back across the Atlantic as “Monsieur Jean Tarzan” and assures him that no one will bother him – because “I own the ship.”


Warlord of Mars #18
The Gods of Mars, Part 6! Through Flood and Flame” [ previous issue ]

Dynamite finishes out its adaptation of the second Mars novel in fine style, although still this adaptation has felt more rushed than did its version of A Princess of Mars. I am really liking the art here, especially the depiction of John Carter. Next, we go not right into book three, the novel entitled Warlord of Mars, but rather another apocryphal tale, going back to the threat against the Atmosphere Plant that motivated the interlude of issues #10-12.


Warriors of Mars #3 (of 5)

It turns out Gullivar's magic carpet is also a time machine. He was in the distant past when he first arrived on Barsoom – given the life-span of Barsoomians, perhaps over a thousand years. I hadn't thought about it previously, but it should have been obvious, given he was a 19th-c. American who appeared on Barsoom some time before Dejah Thoris was born, which – in Dynamite's apocryphal time-line – was at least four hundred years ago. Now, we find that the carpet also protected him after the fire at the end of the previous issue all the way to the present, which is stated to be “many years after John Carter's return to Mars.” In any case, he doesn't make a very good impression on the Confederate veteran, but when Dejah Thoris ends up captured by the Thither People, who have not been seen out of their region of Barsoom in a long time, the two Jasoomians set out together to find and rescue her.


Dejah Thoris and the White Apes of Mars #3 (of 4)

Dejah Thoris tries to telepathically warn off Carthoris' airship – a nod to the oft-forgotten telepathic abilities of the Barsoomians that I like – but he gets only a fleeting impression of someone calling him. His mother turns back on her white ape pursuer, armors herself with bones of the apes' previous prey, and manages to kill it! And eats...! She then wages her own campaign of terror against its fellows by flinging its head into their midst. She manages to lure them to fall to their deaths, all but an old scarred bull-ape – and laughs maniacally in its face! I kid you not. As my old drunken mentor used to ask, “Could I possibly be making this up?”

Anyway, we are left on that note with the promise, “Next Issue: It Ends!” Thank Issus!


And, on that note, Cheers, and Thanks for reading!